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“Does Rush Hour 3 deliver what audiences expect of it? Only its most devoted fans will say "yes." The formula is in place but the performers are going through the motions. It's a stale version of the previous movies, and they weren't all that great to begin with. One could argue that director Brett Ratner at least invested Rush Hour with some energy. Even during the climactic battle at the Eiffel Tower, there's nothing resembling that here. This is just another disposable summer movie - so lackluster that it's not even worth searching out when it plays on television. The Rush Hour experience, which never attained anything resembling full speed, has come to a crashing halt. It's hard to think of a sadder commentary about Hollywood's sequel fetish than the existence of Rush Hour 3. Dull, uninspired, and redundant, this third pointless movie in an action/comedy franchise that defines mediocrity doesn't even try to disguise the fact that its existence is a money-grab. I wasn't a fan of either previous Rush Hour film, but neither felt as tired and obligatory as this one. Aside from some amusing scenes with Chris Tucker and a nice déjà vu dance routine to "War" performed by Tucker and Jackie Chan, this movie offers nothing that wasn't done better in the other outings featuring these mismatched buddy cops. ”
38 parallelo film The wafer-thin plot has Chief Inspector Lee (Jackie Chan) protecting a Chinese diplomat during his stay in Los Angeles. He has top-secret information about the Triad crime syndicate but, before he can divulge it, he is shot. Lee, reunited with his former partner, Detective James Carter (Chris Tucker), vows to the consul's daughter, Soo Yung (Zhang Jingchu), that he will find the man who attacked her father. To do this, Lee and Carter must pursue Triad assassin Kenji (Hiroyuki Sanada) to Paris, where they are aided by an anti-American cab driver named George (Yvan Attal), who discovers that he has a taste for car chases and gunplay.
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- SUPER MM FILM SELLER WORLDWIDE As was true of Rush Hour and Rush Hour 2, this movie combines hit-and-miss comedy with lackluster action. The film doesn't have much of a pulse, and the "excitement" comes across as pallid when compared to last week's The Bourne Ultimatum (although at least the camera isn't afflicted with the shakes). This movie is probably no more amusing than its predecessors, although it's hard to be sure. Nothing in any of the Rush Hour products has been roll-on-the-floor funny, and this one is no different. Especially lame is a riff on "Who's on First" that proves the stars of this movie have nothing on Abbot and Costello. There's also a parody of emotional moments in buddy movies featuring Elton John's "Sorry Seems to Be the Hardest Word." Maybe that's supposed to be an apology to the audience by Brett Ratner. Also consider a scene featuring a lot of raw sewage that may on some level be a comment about where the franchise is headed.
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